“You don’t get a word for it, like orphan. “It’s written about less – what it’s like to lose a best friend,” she says. In Delicacy, she sends him a letter in which she attempts to process her feelings. Originally, she wanted to write about her best friend, “D”, who died at the end of 2017. The book took three years to finish “because life kept getting in the way and people kept dying,” she says. It has its darkly funny moments – an imagined email exchange with her aggressively inspiring personal trainer, or the observation about her adolescence that “the closest I had come to seeing a penis was being able to spot Orion’s belt, on a clear night.” Elsewhere she notes, “my spirit animal is a monk that’s been ill for six months”.Ĭomedy Women in Print Prize 2021 announces judges including Maureen Lipman, Susan Wokoma and Steph McGovern “What I loved about the book was not feeling the pressure to have gags per page,” she says.
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“I just wanted revenge for being ignored.”) “I didn’t care what happened to me,” she writes. (Aged 11, she swerved into the path of a car on holiday in France because her parents didn’t listen when she said she didn’t want to cycle. Instead, she produced a forensic piece of life-writing, which begins with the line, “Let me tell you why I rode my bike into oncoming traffic”. “When they commissioned it, I think they thought, ‘Oh, you’re a comedian’, that it would be a fun romp.” She is aware that this is not the book people might have expected her to write. In person, she is droll, self-lacerating, a little surreal. Wix is one of those performers who just makes things funnier, better she is comic to her core, whether playing bolshy estate agent Carole in Stath Lets Flats or an overblown Fergie in The Windsors. Her shoes still contain the grooves of her feet.” Katy Wix as Mary, the ghost of a witch-trial victim in the BBC sitcom, Ghosts (Photo: BBC/ Monumental Television/ Steven Peskett) I think about all the objects in her room. I think about if I’ll be asked to go on Celebrity Bake Off once this book comes out, the stand-up-to-cancer one,” she writes. It is an extraordinary piece of writing, the apex of which is a bravura list of 82 thoughts about her mother’s death.
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In mesmerising, unforgiving prose, Wix examines her life – from teenage encounters with boys, to conversations with fatphobic TV producers, from family holidays to the car crash that nearly killed her, through grief to something like recovery. That book is Delicacy, “a memoir about cake and death”, per its subtitle, which reads like a quietly furious howl. I just remember… contained rage for that whole year, just wanting to scream at people, ‘I’m not coping with this.’ I contained it all, that’s how I coped.
You don’t really look at what you’re wearing or have time to brush your hair – wearing the same pair of shoes that were not going to give me blisters because I knew I’d be walking up and down hospital corridors. “It was hell, I don’t really know how I got through it.
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She moved back from London to Wales and so it was that she found herself filming the second series of the silly BBC sitcom Ghosts – in which she plays Mary, a dead witch-trial victim with a soot-streaked face and comical West Country accent – while caring for her mother, learning how to lift her out of wheelchair, stroking her hair, watching her “die every day”. When it was diagnosed, Wix thought, “So this is what life is really like: a series of terrible events.” It turned out that she had an inoperable brain tumour. Eight or 9 days after her father’s death, after a grim descent into dementia, her mother thought that she heard a gunshot on the stairs a few nights later, she thought she heard a choir and a few days after that she collapsed on the landing.
In a little under two years, her best friend, her father and her mother had died. At the start of 2019, Katy Wix couldn’t imagine ever wanting to be funny again.
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